There's a new Shape tool that makes it easier to extract things like drum sounds. You can match noise prints, extract sonic characteristics from one file and apply them to another and more. You can copy and paste elements of sounds between layers, say for example to transfer a background noise from one scene to another, or indeed to remove a sound from multiple files. As well as allowing you to select sounds by area, frequency, harmonics, shape, and noise, these also guess what you're likely to be aiming for which is pretty helpful. Once a sound has been loaded it can be analyzed and edited in a number of different ways including parts of it being selected, extracted and processed based on using Smart Tools. SpectraLayers Pro treats sounds as “layers” and this is the metaphor used throughout the application. It's a little like Photoshop for sound, bypassing conventional restrictions and opening up almost infinite creative possibilities.Ī clinical interface but a wealth of powerful tools. SpectraLayers does this by allowing access to the very heart of what makes up a digital audio file. We're not just talking about detecting pops and clicks here, but rather getting into every aspect of sound, from noise prints to frequencies, extracting and layering and much more. SpectraLayers is a standalone application rather than a plug-in, and targeted at anyone who needs to edit audio in extreme detail. We have seen a few of these kinds of advanced spectral editors in recent years, including iZotope's RX and the Iris synth, which lets you generate sound by manipulating audio spectrally rather than using a conventional waveform view. So although SpectraLayers is the same on both platforms, Sound Forge isn't. Slightly confusingly there is a Mac version of Sound Forge, but it's much newer, built from scratch and currently only at version 1. Alongside the company's recent release of Sound Forge Pro 11 for Windows, Sony has released SpectraLayers Pro 2 for Mac and PC. It doesn't seem all that long since Sony released SpectraLayers 1, a powerful tool for getting inside digital audio files, editing and generally tinkering about with them in ways that aren't possible in the majority of wave editing applications.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |